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Landscape of Hate

Landscape of Hate is an improvised multimedia project that aims to promote and favour the public voice in framing pluralistic dialogues about how we negotiate various forms of hate in our society. Our events typically consist of a combination of panel discussions, debates, art expositions and performances.  Landscape of Hate performances include a combination of original compositions of electronic music, audio samples, social media feeds, soundscapes and video projections. The lyrical materials are derived from data collected from the  Internet, research interviews and other public sources. Each performance is unique.

Landscape of Hate - explainer
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4 members of the collective performing on stage
Copyright Marcus Skrede

About

Vivek Venkatesh and Owen Chapman  are the creators and curators of Landscape of Hate. Vivek is responsible for the live vocals and improvised noise electronics. Vivek and Owen also source the social media and pre-recorded public voices and nature-based soundscapes using the custom-made Plural mobile application which was designed by Vivek, Owen and Kathryn Urbaniak.

Vivek Venkatesh, Owen Chapman, Jason Wallin, Danji Buck-Moore (aka anabasine) and Leticia Trandafir (aka softcoresoft), and Annabelle Brault compose original music, deejay and improvise soundscape materials during Landscape of Hate performances.

David Hall creates the logos, branding and the visual representations to accompany the music of Landscape of Hate. David, Martin Lalonde and Jessie Beier improvise visuals based on the content of the public materials being used in each Landscape of Hate performance.

Large screen displaying Landscape of Hope logo
Copyright Marcus Skrede

About the logo

The concept of the logo itself is rooted in a hashtag – the idea that thoughts and words must be ‘coded’ properly and the tie-in with social media and its impact and role as a delivery system for hate speech.There is also the idea present of a sideways ‘H’ (for hate) and a vertical bridge going across this H/hate…a landscape that transcends and also runs in tandem/intersects hate.

Lastly, there are thorns and barbed edges that represent that hate and ‘sting’ of prejudice and thoughts – this is a visual representation of hateful speech and rhetoric…and that with freedom of speech comes the ethical dilemma of defending free speech that one finds vile.

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© 2023 By Someone, Concordia University. 

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